The Twentieth Century is a long-running CBS documentary television series that aired from 1957 to 1966, sponsored throughout its run by the Prudential Insurance Company and narrated by Walter Cronkite. Drawing on the resources of CBS News, the series produced both historical compilation documentaries and originally photographed contemporary reports, presenting major political, cultural, scientific, and social developments that shaped the modern world. Episodes combined newsreel footage, eyewitness testimony, and on-location reporting, covering subjects ranging from global conflicts and political change to arts, science, and international social transformation. Popular with audiences and critically respected, the series functioned as a formative model for later American television documentary programming and helped establish the compilation-documentary format as a central mode of broadcast nonfiction.

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Returning to his native village, a demobilized paratrooper learns that his brother has become a victim of a drug mafia. He decides to avenge his death and goes to the city...

Behind-the-scenes footage, rare screen tests and insightful interviews highlight this engrossing two-hour look at one of Hollywood's greatest dream factories. Such film luminaries as Tom Hanks, William Friedkin, George Lucas, Oliver Stone and Robert Altman discuss their work at the studio. Clips include scenes from Butch Cassidy and the Sundance Kid, Patton, Young Frankenstein, Star Wars, Alien, Big, Home Alone, Die Hard and dozens more.

A derelict discovers that a surgeon performing unnatural experiments has replaced his body.

A diva of the Paris stage transforms her mousy daughter-in-law into an attractive ingenue to spite her hated son, away on military service.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.

The first half century of Twentieth Century Fox Film Corporation from its beginnings under Hungarian immigrant William Fox to it emergence as a major studio.

A video companion to the tribute album, this features performances of the songs of Noël Coward performed by modern British artists including Sting, the Pet Shop Boys and the Divine Comedy.

A comic picture that defies description. It depicts the Twentieth Century up-to-date tramp flying over the chimney tops of New York City in the latest improved flying machine. Weary Willie has the indispensible tin can hanging from his waist and he waves his hands to his friends as he flies along. He passes over the top of the Equitable Life building and other New York sky scrapers. He flies over the East River and clears the top of the Brooklyn Bridge, and appears to be making his way toward Staten Island. When he is about in the centre of the river, his flying machine explodes, and like the unfortunate McGinty, down goes Weary William.